{"id":226,"date":"2022-09-19T16:50:11","date_gmt":"2022-09-19T14:50:11","guid":{"rendered":"https:\/\/via-cultura.sk\/?p=226"},"modified":"2022-09-19T16:51:12","modified_gmt":"2022-09-19T14:51:12","slug":"pozicia-najvyznamnejsieho-slovenskeho-operneho-domu-na-svetovej-opernej-mape","status":"publish","type":"post","link":"https:\/\/via-cultura.sk\/en\/pozicia-najvyznamnejsieho-slovenskeho-operneho-domu-na-svetovej-opernej-mape\/","title":{"rendered":"Poz\u00edcia najv\u00fdznamnej\u0161ieho slovensk\u00e9ho opern\u00e9ho domu na svetovej opernej mape"},"content":{"rendered":"
\n

Pre\u010do sme sa v\u00a0marcovom \u010d\u00edsle Kult\u00farneho kysl\u00edka<\/a>\u00a0rozpr\u00e1vali so Silviou Hroncovou, s\u00fa\u010dasnou riadite\u013ekou Opery N\u00e1rodn\u00e9ho divadla v\u00a0Prahe, na t\u00e9mu opern\u00fdch divadiel? Preto\u017ee n\u00e1s zauj\u00edmal syst\u00e9m fungovania a\u00a0mana\u017ementu tejto najdrah\u0161ej divadelnej infra\u0161trukt\u00fary. Zd\u00e1 sa, \u017ee to ist\u00e9 tr\u00e1pilo aj Zuzanu Uli\u010diansku z\u00a0denn\u00edka SME, ktor\u00e1 telepaticky urobila podobn\u00fd rozhovor s\u00a0gener\u00e1lnym riadite\u013eom SND<\/a> a\u00a0teda aj opery SND. Tieto simult\u00e1nne rozhovory s\u00fa pre IKP v\u00fdzvou, aby sme porovnali pra\u017esk\u00fa situ\u00e1ciu so slovenskou realitou.<\/p>\n

 <\/p>\n

1)\u00a0\u00a0\u00a0\u00a0\u00a0 Sme zvyknut\u00ed na fakt, \u017ee dopyt po opern\u00fdch predstaveniach v\u00a0Prahe je v\u00fdnimo\u010dn\u00fd. N\u00e1rodn\u00e9 divadlo v\u00a0Prahe odohr\u00e1 ro\u010dne 400 opern\u00fdch predstaven\u00ed na 4 sc\u00e9nach. V historickej budove N\u00e1rodn\u00e9ho divadla, \u0160t\u00e1tnej opere, v Stavovskom divadle a na Novej sc\u00e9ne. Pre porovnanie, na Slovensku SND odohr\u00e1 s\u00a0jedn\u00fdm orchestrom na dvoch sc\u00e9nach okolo 200 operno-baletn\u00fdch predstaven\u00ed. Vzh\u013eadom na person\u00e1lne a\u00a0materi\u00e1lno-technick\u00e9 mo\u017enosti slovenskej opery je pod\u013ea n\u00e1s t\u00e1to vy\u0165a\u017eenos\u0165 adekv\u00e1tna a\u00a0len hlb\u0161\u00ed audit by uk\u00e1zal, \u010di m\u00e1me v\u00a0tomto smere e\u0161te rezervy.<\/p>\n

2)\u00a0\u00a0\u00a0\u00a0\u00a0 Mari\u00e1n Chudovsk\u00fd potvrdil, \u017ee priemern\u00e1 percentu\u00e1lna naplnenos\u0165 s\u00e1l SND je pre \u010dinohru skoro 86 %, balet 71 % a v opere 63 %. N\u00e1v\u0161tevnos\u0165 opern\u00fdch predstaven\u00ed je teda men\u0161ia. Ak\u00e9 lieky bude vedenie SND na t\u00fato chorobu u\u017e\u00edva\u0165, aby nepriazniv\u00e9 trendy zvr\u00e1tilo? \u00a0Re\u010di o\u00a0tom, \u017ee je to \u201ezlo\u017eit\u00fd, dlhodob\u00fd probl\u00e9m, ktor\u00fd treba rie\u0161i\u0165 premyslenou dlhodobej\u0161ou strat\u00e9giou\u201c a \u00a0\u201eOpera rob\u00ed v s\u00fa\u010dasnosti v\u00fdrazn\u00e9 kroky, aby.\u201c\u2026\u2026. a \u201epotrebujeme systematick\u00fa pr\u00e1cu s\u00a0mlad\u00fdm publikom\u201c\u2026. konkr\u00e9tne kroky sa nedozved\u00e1me.<\/p>\n

3)\u00a0\u00a0\u00a0\u00a0\u00a0 Porovnali sme aj cenotvorbu opern\u00fdch domov.\u00a0 Priemern\u00e1 cena vstupenky v\u00a0Prahe je 25,17 eur, v bratislavskej opere je 18 eur. \u00a0Pritom pra\u017esk\u00e9 opern\u00e9 predstavenia s\u00fa\u00a0vypredan\u00e9 podstatne r\u00fdchlej\u0161ie ako slovensk\u00e9, ako sme zistili na predajn\u00fdch port\u00e1loch oboch divadiel.<\/p>\n

4)\u00a0\u00a0\u00a0\u00a0\u00a0 Jedn\u00fdm z\u00a0\u010dast\u00fdch opatren\u00ed\u00a0 b\u00fdva v\u00a0tak\u00fdchto pr\u00edpadoch schopnos\u0165 pril\u00e1ka\u0165 opern\u00e9 hviezdy, \u201eve\u013ek\u00e9 men\u00e1\u201c. Nie je to jednoduch\u00e9 a\u00a0vy\u017eaduje si to invest\u00edcie. Ako teda prinies\u0165 na slovensk\u00e9 javisk\u00e1 v\u00fdnimo\u010dn\u00e9 opern\u00e9 inscen\u00e1cie s\u00a0t\u00fdmi najlep\u0161\u00edmi s\u00f3listami, vytvoren\u00e9 najv\u00fdznamnej\u0161\u00edmi re\u017eis\u00e9rmi, sc\u00e9nick\u00fdmi a\u00a0kost\u00fdmov\u00fdmi v\u00fdtvarn\u00edkmi? \u010carovn\u00fdm slovom v\u00a0tomto globalizovanom svete je koprodukcia. \u00a0Ako a\u00a0kde sa nadv\u00e4zuje a\u00a0kde sa snovaj\u00fa pl\u00e1ny na \u010fal\u0161ie sez\u00f3ny? Jednou zo z\u00e1kladn\u00fdch siet\u00ed, ktor\u00e1 zdru\u017euje z\u00e1stupcov v\u00fdznamn\u00fdch opern\u00fdch domov, je Opera Europa. Asoci\u00e1cia zdru\u017euje 155 \u010dlensk\u00fdch spolo\u010dnost\u00ed z\u00a039 kraj\u00edn. Vedie ju Nicolas Payne, ktor\u00fd bol dlh\u00e9 roky \u0161\u00e9fom Covent Garden a \u0161\u00e9fom English National Opera. Stretnutia \u010dlenov sa konaj\u00fa dvakr\u00e1t ro\u010dne, \u010dlensk\u00fd poplatok je 2\u00a0700 \u20ac a\u00a0konferencie maj\u00fa jasn\u00fd z\u00e1mer: \u201eKonferencie s\u00fa \u010falej u\u017eito\u010dn\u00e9 najm\u00e4 na nadv\u00e4zovanie stykov pre koprodukcie v\u00a0r\u00e1mci Eur\u00f3py<\/i>.\u201c Slovensk\u00e1 opera nie je \u010dlenom tohto zoskupenia. Sme jedin\u00ed? \u00a0Nie sme. Z\u00a0celej Eur\u00f3py ch\u00fdba aj Alb\u00e1nsko.<\/p>\n

5)\u00a0\u00a0\u00a0\u00a0\u00a0 Mari\u00e1n Chudovsk\u00fd je spokojn\u00fd s\u00a0t\u00fdm, \u017ee Bratislava \u201eje re\u0161pektovan\u00e1\u201c a\u00a0spolieha sa na slovensk\u00fdch s\u00f3listov. Probl\u00e9m je v\u00a0tom, \u017ee nikoho zo s\u00f3listov nevn\u00edmaj\u00fa ako reprezentantov ur\u010dit\u00e9ho opern\u00e9ho domu. To, \u017ee \u0160tefan Koc\u00e1b hos\u0165uje v\u00a0Metropolitnej opere neznamen\u00e1, \u017ee automaticky v\u0161etci eviduj\u00fa Slovensk\u00e9 n\u00e1rodn\u00e9 divadlo. Mobilita svetovo zn\u00e1mych opern\u00fdch s\u00f3listov je v\u00a0s\u00fa\u010dasnosti tak ve\u013ek\u00e1, \u017ee sa z\u00e1ujem o\u00a0nich obmedzuje na kvalitu ich hlasu\u00a0 a rozsah reperto\u00e1ru. To, \u017ee v\u00a0Bratislave re\u017e\u00edruje v\u00fdznamn\u00fd nemeck\u00fd re\u017eis\u00e9r Peter Konwitschny a bude u n\u00e1s robi\u0165 u\u017e \u0161tvrt\u00fa inscen\u00e1ciu, to pova\u017eujeme za skuto\u010dn\u00e9 plus.<\/p>\n

6)\u00a0\u00a0\u00a0\u00a0\u00a0 Pra\u017esk\u00e9 \u00a0N\u00e1rodn\u00ed divadlo sa pripravuje na transform\u00e1ciu z\u00a0pr\u00edspevkovej organiz\u00e1cie na verejnopr\u00e1vnu. Holdingov\u00e1 forma sa zase osved\u010dila vo Viedni. SND vraj nepotrebuje \u017eiadne zmeny, lebo s\u00fabory maj\u00fa svoje rozpo\u010dty a\u00a0\u00fadajne s\u00fa v\u00a0hospod\u00e1ren\u00ed nato\u013eko auton\u00f3mni a\u00a0nato\u013eko si ich str\u00e1\u017eia, \u017ee to tak \u010di tak holding pripom\u00edna. S\u00fahlas\u00edme s t\u00fdm, \u017ee v\u00a0pr\u00edpade SND by zmena bola legislat\u00edvne n\u00e1ro\u010dn\u00e1, lebo SND m\u00e1 \u201esvoj\u201c z\u00e1kon a\u00a0zmena by si vy\u017eadovala zna\u010dn\u00fa politick\u00fa v\u00f4\u013eu. Ale za zmienku stoj\u00ed pouva\u017eova\u0165 o\u00a0tom, nako\u013eko je takto riaden\u00e9 SND ako celok nez\u00e1visl\u00e9 od z\u00e1sahov ministrov. (\u201eRiadite\u013e opery je profilov\u00fd umelec, ktor\u00e9ho menovanie je potrebn\u00e9 konzultova\u0165 aj s p\u00e1nom ministrom.\u201c \u2013 hovor\u00ed Chudovsk\u00fd.) Poukazujeme na fakt, \u017ee nevieme, kto je vlastne t\u00fdm org\u00e1nom, ktor\u00fd evaluuje, \u010di\u017ee hodnot\u00ed \u010dinnos\u0165 SND. A\u00a0kto je v\u00a0kone\u010dnom d\u00f4sledku zodpovedn\u00fd.<\/p>\n

Slovensk\u00e9 opern\u00e9 umenie, ktor\u00e9 disponuje nielen v\u00fdnimo\u010dn\u00fdmi, svetovo uzn\u00e1van\u00fdmi hlasmi, ale aj \u0161tyrmi sc\u00e9nami, je kult\u00farne i\u00a0finan\u010dne ve\u013ekou polo\u017ekou v\u00a0kult\u00farnej infra\u0161trukt\u00fare Slovenska. Od tejto vlajkovej in\u0161tit\u00facie m\u00e1me aj preto tie najvy\u0161\u0161ie o\u010dak\u00e1vania. A\u00a0tak sa v\u00a0IKP p\u00fdtame \u2013 pre\u010do ch\u00fdba slovensk\u00e1 opera na mape opern\u00e9ho sveta?!<\/p>\n

\"opera\"<\/a><\/p>\n

Zdroj: http:\/\/www.opera-europa.org\/en\/about-us\/members<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Pre\u010do sme sa v\u00a0marcovom \u010d\u00edsle Kult\u00farneho kysl\u00edka\u00a0rozpr\u00e1vali so Silviou Hroncovou, s\u00fa\u010dasnou riadite\u013ekou Opery N\u00e1rodn\u00e9ho divadla v\u00a0Prahe, na t\u00e9mu opern\u00fdch divadiel? Preto\u017ee n\u00e1s zauj\u00edmal syst\u00e9m fungovania a\u00a0mana\u017ementu tejto najdrah\u0161ej divadelnej infra\u0161trukt\u00fary. Zd\u00e1 sa, \u017ee to ist\u00e9 tr\u00e1pilo aj Zuzanu Uli\u010diansku z\u00a0denn\u00edka SME, ktor\u00e1 telepaticky urobila podobn\u00fd rozhovor s\u00a0gener\u00e1lnym riadite\u013eom SND a\u00a0teda aj opery SND. Tieto simult\u00e1nne […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-226","post","type-post","status-publish","format-standard","hentry","category-komentare"],"_links":{"self":[{"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/posts\/226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/comments?post=226"}],"version-history":[{"count":1,"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/posts\/226\/revisions"}],"predecessor-version":[{"id":227,"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/posts\/226\/revisions\/227"}],"wp:attachment":[{"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/media?parent=226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/categories?post=226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/via-cultura.sk\/en\/wp-json\/wp\/v2\/tags?post=226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}